Monday, December 10, 2012

"Song Of The Stars"

And high above a single star set in the highest heavens shone out brighter than all the others and poured down silver onto the little shed... "A Light to light up the whole world". {Song of the Stars}

When Zondervan asked me to write a Christmas picture book, my first thought was Oh no! There are so many Christmas picture books out there already. How can I make one that’s different.

And I wondered— how can I catch the reader by surprise with this magnificent, familiar story?

And suddenly I was a child again in Africa full of excitement and longing and wonder.

Christmas was coming. There was no snow on the rooftops. The evenings weren’t closing in. But Christmas was coming.

I was a little pale blond English girl living in a world surrounded by nature and by animals who had no argument with their maker.

Romans 8:19 speaks of “all of Creation longing.” The Psalms tells us that the created order now declares the glory of God (Psalm 19 & 65).

And I began to wonder: when Jesus came, did Creation sense it? It would not be surprising if they did—since they now declare the glory of God, since they long for him. I started imagining the animals and the stars sensing and rejoicing in the coming of Jesus.

When the one who made them came to earth, maybe they knew—though we didn’t.

When the promised gift, the long-awaited one—at last breaks into history—when he at last comes down into his world it is as a glorious surprise.

When Heaven kisses earth. When God becomes man.

Because every Christmas story comes as a gift—and a surprise after longing.

Different that we expected. More than we hoped. Just what we need.

And full of wonder.

"Song of the Stars" is mine.

My hope is that it will perhaps capture something of that wonder.  That we would long for him, the way Creation longs for him. And most of all, that he would find room in our hearts—that he would be born again in our hearts this Christmas.

SLJ

Monday, September 17, 2012

what part is work?

Having just come back from almost two months of traveling all around (some of it working, some of it not so much) it was a bit of a shock to come back and face Sitting-at-a-Desk Work (as opposed to Galavanting-Around Work).

Imagine my joy at finding this quote... but all joking aside, this is seriously true. I believe every word. You must fight for this every day. 

"It is also true that creation comes from an overflow, so you have to learn to intake, to imbibe, to nourish yourself and not be afraid of fullness. The fullness is like a tidal wave which then carries you, sweeps you into experience and into writing. Permit yourself to flow and overflow, allow for the rise in temperature, all the expansions and intensifications." 

Anais Nin

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Illustration is by Jago from our new book THOUGHTS TO MAKE YOUR HEART SING coming in October. It shows Polzeath Beach in Cornwall, near where Jago lives. It just so happens to be one of my most favorite places in all the world. I've been going there on holiday since I was tiny. How cool is that? 

Illustration copyright 2012 by Jago

Sunday, September 2, 2012

She's not sick, she's a dancer

Picasso said all children are born artists. But we don't grow out of creativity, according to Sir Ken Robinson. We are educated out of it.

Here's Sir Ken Robinson at TED being very funny and very right about creativity... and the education system that has us believing maths is more important than dance...

Monday, August 6, 2012

Paring away, simpler and simpler

Dick Bruna's drawings of Miffy only allow for very miniscule changes to indicate emotions--the position of eyes, the length of the ears, the shape of the mouth.
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"That's all you have. With two dots and a little cross I have to make her happy (...) or a little bit sad--and I do it over and over again. There is a moment when I think yes, now she is really sad. I must keep her like that."
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He is constantly paring away, distilling down to the simplest purist form possible. When he draws Miffy crying, for instance, he says, "I very often start with three or four tears. I take away one, and the next day I take away another one, and at the end I have one tear, and that's very, very sad."

Georges Simenon wrote to him and said: "I see that you are trying to make your covers still simpler and simpler. You are doing the same in designing as I try to do in writing."
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It might take him a day to draw a single illustration of Miffy.

<note: I'm going to take an entire month off from blogging... so, see you back in september!>

Monday, July 30, 2012

Dick Bruna and Miffy

I love Miffy. She is so simple. And I know what that means--there's a huge amount of work that got her to look that simple.

Dick Bruna, the creator of Miffy said:

"I would love to be able to draw like a child, so spontaneous, so open-minded on those big sheets. As an adult you start to draw and then hope that you make something good, something beautiful. A child is not like that, they start and see what happens... I draw things you will see close to home, things that I also like. Maybe I still think a bit like a child, I have a childish mind, I think. There are a lot of things I don't understand." 

Dick Bruna (b.1927 in Utrecht)
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One wet and windy seaside holiday, he drew a story for his son, Sierk. It was about a little white rabbit called Miffy. His first Miffy children's book looked like this (1957):
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By 1963 she looked like this:
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I love his simple daily routine--he is a multi-millionaire mogul (over 85 millions books sold in over 40 languages) and yet this is his day (as simple and distilled as his art) every day he gets up at 5, squeezes a glass of orange juice for his wife Irene, draws her a picture about things she has done, or reminders of things she is planning to do. hHe cycles to Utrecht canals and goes to a cafe for coffee. Works in his studio. Cycles home for lunch. Back to the studio in the afternoon to do admin work.

Miffy is 50 now--and to celebrate, a museum was opened in her honor. The Dick Bruna Huis.

Monday, July 16, 2012

famous naps and nappers

Nap
UNIDENTIFIED NAPPER

Edison-sleeps
THOMAS EDDISON

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LBJ

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NAPOLEON

Do you feel sleepy? Seeing all those famous nappers napping?

Do you nap?

I do. Sometimes. But i'm not very good at it. Maybe I could get good.

Salvador Dali said napping was the secret of why he was such a great painter--he performed the "slumber with a key" trick. The micro nap. To do this he sat in a chair with a heavy key in his left hand (held between thumb and forefinger). A plate would be placed upside down under that hand. When the key slipped from his finger, the plate would ding and he'd wake up.

He learned this from some monks and also Einstein napped this way too. 

Scientists say that these brilliant men had unknowingly taken advantage of what is called the "hypnogogic" nap which is when the mind--before it reaches stage 2 sleep--unlocks free flowing creative thoughts.

Sorry I have to go immediately and find a key and a plate.

via 

Monday, July 9, 2012

Picture books and Margaret Wise Brown

"A book should try to accomplish something more than just to repeat a child's own experiences. One would hope rather to make a child laugh or feel clear and happy-headed as he follows a simple rhythm to its logical end, to jolt him with the unexpected and comfort him with the familiar; and perhaps to lift him for a few minutes from his own problems of shoe laces that won't tie and busy parents and mysterious clock time into the world of a bug or a bear or a bee or a boy living in the timeless world of story." Margaret Wise Brown

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This was 1935 and it was brand new stuff for picture books. Before Margaret Wise Brown, the picture book had been dominated by fairytales and fables. Margaret Wise Brown's focus on a child's every day life dignified children's own lives and was a game changer--it changed children's literature and the picture book for ever.

And it was fed by her work as a teacher at the progressive Bank Street Experimental School in New York City, where she listened to children and heard their stories and how they spoke.
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It's what makes her voice so distinctive. I love her titles: The Noisy Book, The Important Book, Another Important Book. They're still fresh today. How radical they must have been then.

She was a pioneer. She fought for keeping big words in her books, refusing to dum down the language. She fought to get authors and illustrators proper royalties and fought to get the illustrator the same royalties as writer. (Before they had only received a flat fee.) 

What would you spend your first royalty check on? She spent hers on a cart full of flowers. How wonderful. Then she invited all her friends over for a party to help her enjoy them. What style! 

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