Becoming a writer: choose? or chosen?

"Becoming a writer is not a 'career decision' like becoming a doctor or a policeman. You don't choose it so much as get chosen, and once you accept the fact that you're not fit for anything else, you have to be prepared to walk a long, hard road for the rest of your days." Paul Auster (b.1947)

Brands narrated by a 5 year old

Blessed Tree

Writing is Boiling Down

"It's like boiling down. Four pages can go through six, eight, ten drafts to get down. The beginning is always rewritten much more than the rest, because it's the setting up of information as well as the telling of the story--that's always much harder to juggle." SUSAN MINOT

Writing--it's as much about what you take out as what you put in. 

Balancing writing and promoting--Billy Collins

When asked what Georgia's incoming poet laureate should keep in mind, Billy Collins said:

"The best thing you can do it writer really, really good poetry. You can be an advocate, but the best you can do to spread the word of poetry is to write really good poetry. the other thing is, [poet] Robert Hass called me up when I became poet laureate and he said, 'They're going to be pulling you, interviewing you to death, dragging you from one place to another. Just don't leave the place where you write your poetry. Don't give up that psychological spot here the poetry comes from because they will try to drag you out of there and make you a public figure.' Being a poet is a very private activity and you have to hold onto your solitude." 

What a great way to balance writing, with speaking about and promoting what you've written. You need to be out there reading from your work, and speaking. Publishers expect it--even require it.

But I love this reminder: your best work is writing, and the most important thing you can do is to hold onto your solitude where your writing came from in the first place.

Billy Collins on writing every day

"I'm a writer every day, but I don't write every day. Every day I'm looking for those ducks to land on the water, or something to nudge me toward the page. But I don't really have any compositional habits. I'm afraid it's still kind of a romantic view of writing. I have to wait for something to startle me rather than just hacking it out every day. But it doesn't take much to startle me. My stepdaughter, who was 16 a couple of years go, was doing all these drawings of princesses and fairy tale castles and fantasy stuff. Fair enough. But one day she came in with a little drawing of a scallion o a plate and I wrote a poem about it because I thought she was moving from one phase to another. She was moving out of fantasy into the simplicity of real things." Billy Collins

How freeing to read that Billy Collins doesn't write every day. If you're not one of those writers who writes every day (and hard as I try I'm really not)--you can feel guilty, like you're failing, not doing it right, not living up to your potential. You name it.

But perhaps that's too limited a view of what it means to be a writer. What if it's not about the typing or your desk or word counts or pages? What if it's actually about showing up. Whatever that means that day. Whether that means you're at your desk or out watching children in a playground--whatever you're doing--the point is you're showing up and being one on whom nothing is lost.

"I'm a writer every day but I don't write every day."

All I can say is, if Billy Collins can write the way he does and not write every day, then that's good enough for me.

To fill the page with a dream

"Day after day, season after season, I face a blank page and I have to fill it with a dream. That's my work. And we have a team like an orchestra, that makes it happen." Elbaz, designer at Lanvin
via NYT

It's the work of a writer too. To fill the blank page with a dream.

Or is it more than that--is it actually the work of us all?

What will we fill the blank page of our lives with--today? now?

Writing Tip: don't try and guess what editors want

"Don't try to guess what sort of thing editors want to publish or what you think the country is in a mood to read. Editors and readers don’t know what they want to read until they read it. Besides, they're always looking for something new." WILLIAM ZINSSER

It's scarier to trust yourself. And write the book that's in you to write. The book that only you can write. It's risky.

But which is riskier?

To follow the trend? (By the time your book comes out they'll have moved on to something else.)

To try and write the book that that someone else writes? (Won't they do a much better job at being them?)

Or to write the book that only you can write? And possibly find yourself ahead of the trend, setting the trends, doing something startling and new?